People and Plants

In this late fall edition of People and Plants we’ll take a look at an early American female botanist, Martha Daniell Logan.

Martha Logan’s signature. Courtesy of The South Carolina Historical Society.


She was born in 1704 in St. Thomas Parish, South Carolina, the second child of Robert Daniell and his second wife Martha Wainwright. After her father died in 1718 she inherited his land along the Wando River. In 1719, Martha married George Logan, Jr. and they lived on the Wando River, ten miles from Charleston, where both the Daniell and the Logan families owned extensive property.  Over the next sixteen years, she gave birth to eight children, six surviving to adulthood.  In 1750 the family moved to a plantation near Charleston. Needing to enhance the family income she advertised her services as a teacher but her attention gradually shifted to horticulture. She began her botanical career collecting in the woods near her home.

The title page of the 1757 South Carolina Almanack which contained Martha Logan’s “Gardener’s Kalendar.” Image courtesy of the South Carolina Historical Society, Charleston, S.C.

Martha soon gained the reputation of a skilled gardener and maintained a well-known garden “on the Green, near Trott’s Point in Charles Town.” Gardening became her focus and occupation and she embarked on a career as a “purveyor of botanical goods,” selling seeds and plants from her home. 
In addition to native plants, she dealt in imported specimens. Gardening, especially landscaping with rare plants, had become a favored pastime among wealthy locals and Martha was quick to capitalize on this. An advertisement published in the Gazette on November 12, 1753, announced the availability of “a parcel of very good seeds, flower roots, and fruit stones of several kinds” that were “just imported from London.”

Page of the 1757 South Carolina Almanack print of Martha Logan’s “Gardener’s Kalendar.” Image courtesy of the South Carolina Historical Society, Charleston, S.C.

She exchanged seeds, roots, and plants, like gardeners do, with other botanical enthusiasts including the naturalist John Bartram. His visit in 1760 initiated a three year correspondence and trade of specimens. They swapped lists of available plants and used silk bags to send seeds to each other. They also exchanged lists of plants that each desired from the other’s geographical area. Logan enthusiastically sent Bartram plants from Carolina which “may be New to you” and “be an adision [addition] to yr Collection.” In return, she asked him to send bulbs and double-flowering plants that her London contacts had failed to procure or took too long to send. She shipped and received tubs of cuttings and roots on ships traveling between Charleston and Philadelphia, where Bartram lived. Bartram praised her in a letter to a London friend and wrote, “Mrs. Logan’s garden is her delight and she has a fine one.”

Page of the 1757 South Carolina Almanack print of Martha Logan’s “Gardener’s Kalendar.. Image courtesy of the South Carolina Historical Society, Charleston, S.C.

With the popularity of urban gardening on the rise Martha realized that many people needed help and guidance with their horticultural endeavors. In 1752 her first advice column titled “Gardners Kalander [sic], done by a Lady of this Province, and esteemed a very good one.” appeared in the South Carolina Almanack. Her first publication was so successful she continued to publish her calendar, updating and enlarging it each year.

Page of the 1757 South Carolina Almanack print of Martha Logan’s “Gardener’s Kalendar.” Image courtesy of the South Carolina Historical Society, Charleston, S.C.

Martha continued her business, what we nowadays would call a garden center, for the rest of her life. She even wrote a treatise on gardening at the age of seventy. In 1809 the early Charleston historian David Ramsay described her as “a great florist, and uncommonly fond of a garden,” and claimed she “reduced the knowledge she had acquired by long experience, and observation, to a regular system which . . . to this day regulates the practice of gardens in and around Charleston.”

Page of the 1757 South Carolina Almanack print of Martha Logan’s “Gardener’s Kalendar.” Image courtesy of the South Carolina Historical Society, Charleston, S.C.

Martha died in Charleston on June 28, 1779, and was buried in St. Philip’s Churchyard. She is considered one of the founding gardeners of South Carolina.


Read back through the pages of her 1757 Gardener’s Kalendar shared above. In your opinion, how much of it is still applicable? One bit of her advice that is always appreciated: “What was neglected last month may be successfully done in this.”

A Toast to Agaves

Agaves, those bat pollinated, succulent, strong leaved, slow-growing, xeric- and heat-loving Western Hemisphere plants, are literally the heart of the tequila and mezcal industry. As fascinating as the bat pollinator aspect is we’re going to focus on the how agaves are used to produce liquor.

Image by Jesus Cervantes/Shutterstock


Let’s start with the differences between mezcal and tequila. These include region of origin, plants used and production methods.

We’ll start with regions and plants.

The name “mezcal” comes from the Nahuatl word “mexcalli” which means “oven-cooked agave.” Although mezcal can be made from any agave species, production focuses on roughly 30 agave species, varieties, and sub-varieties. While mezcal’s history centers around the region of Oaxaca, Mexico, it’s now produced throughout the country. As mezcal can be made with any agave species the name has become a general one for most agave liquors in Mexico. It often implies an artisanal aspect to the drink whether it’s deserved or not. In 1994 the name mezcal was recognized as an Appellation of Origin  (AO, DO). There is also a Geographical Indication (GI), originally limited to the states of Durango, Guerrero, Oaxaca, Puebla, San Luis Potosí, and Zacatecas. Similar products are made in Guanajuato, Jalisco, Michoacán, and Tamaulipas but these have not been included in the mezcal DO.

(Patricia Zavala Gutiérrez/Global Press Journal)

While both mezcal and tequila are made with agave, only one species is legally allowed for tequila production, the blue agave.
Tequila production is located primarily in the area surrounding the city of Tequila, which is northwest of Guadalajara, and in the Jaliscan Highlands of the central western Mexican state of Jalisco.  Tequila is also recognized as an Appellation of Origin (AO, DO). It can be produced only in the state of Jalisco and limited municipalities in the states of Guanajuato, Michoacan, Nayarit, and Tamaulipas.

Blue agave field
Photo by Christian Heeb

Now let’s take a look at production methods. Harvesting agave for mezcal and tequila production starts out the same.

Seven to ten years after planting the plants are mature enough to harvest. They are manually harvest by “jimadors,” highly skilled people trained in the art of agave harvesting. It’s hard, labor-intensive work.

Using machetes or a “coa de jima”, a specialized agave cutter, the jimadors cut off the long agave leaves to get to the core of the plant called the piña.

The piñas are collected and taken for roasting. Roasting method is where mezcal and tequila production methods differ.

Pit roasting the piñas is traditional for mezcal production.

Agave piña roasting pit for making Mezcal
The rocks in the pit are first heated with charcoal
When the the temperature is correct, the piñas are added.
Alternating layers of piñas and chopped agave leaves are added until the pit is full.

The entire thing is covered and left to smoke for 2-7 days depending desired smokiness of the final product.
Roasted piñas.

Cooking piñas for tequila is a much simpler process. They’re actually baked.

Traditional brick ovens can be used.
Or large metal ones such as these.
The end result is the same.

After roasting or baking the piñas receive the same treatment regardless of the final product, mezcal or tequila. They’re crushed or shredded to extract the juice which is then fermented for a period of time. The fermented product is then distilled twice and then usually aged. Some mezcal is not and is sold a “joven” or young. Aging can last from one month to as long as 12 years. After aging the liquor is usually stored in stainless steel tanks to reduce evaporation.

And yes, I hear you there in the back row, “But what about the worm?!”

Gusano de Maguey in a bottle, waiting to be added to finished mezcal.

The worms are only found in mezcal, never tequila, and not all bottles have one. Bottles of mezcal which have a worm (called gusano) are labeled “con gusano,” meaning “with worm.” The worm is actually a caterpillar of the moth Comadia redtenbacheri which can infest agaves. If a “worm” is to be included it’s added at bottling. Doesn’t that sound like a fun job.

There are various stories as to why a “worm” would be added. Some claim it’s a marketing ploy. Others say it’s there to prove that the mezcal is fit to drink…OK. Others believe that it brings good fortune and strength to the lucky person who finds it in their glass. If you’re fortunate to find one in your glass be sure to swallow it whole, don’t chew it. And some claim it’s there to impart flavor. Yummy.

Mmmm, pickled ‘pillar!

And lastly, I’m sure some of you have seen “worm suckers” at shopping emporiums which carry a certain type of tourist stuff with a (supposedly) south-of-the-border flavor. Yes, I’m talking about the famous, or infamous, tequila-flavored worm sucker.

Also available in different colors and flavors. Look for them at finer tourist traps across the Southwest USA.

Don’t fall for this! As educated and discerning Garden Professors blog post readers you now know that #1: Tequila never contains a worm and #2: the “worm” is actually a caterpillar and the above critters encased in sugar are actually the larvae of the darkling beetle, commonly known as mealworms. Be a savvy consumer, hold out for the real thing.

People and Plants

In this edition of P&P we’ll be exploring the life of the “Father of Texas Botany”, Ferdinand Jacob Lindheimer.

On May 21, 1801, Herr and Frau Lindheimer of Frankfurt, Germany welcomed little blue-eyed Ferdinand to the family. After schooling at the Frankfurt Gymnasium and a Berlin prep school, Ferdinand spent the next 30 years studying at universities in Bonn, Jena, and Wiesbaden.

In 1833, for political reasons, Ferdinand decided it was best for him to leave Germany. By 1834 he was in Belleville, Illinois. Not finding Belleville to his liking, he caught a boat down the Mississippi to New Orleans, LA.

“Port City of New Orleans” by Adrien Persac.
COURTESY OF THE HISTORIC NEW ORLEANS COLLECTION

After some time he and a few companions tried to go to Texas. But the Texas revolution was heating up and they wound up being sidetracked to Mexico, eventually winding up in Veracruz. There he worked on a banana plantation for over a year all the while becoming infatuated with the regional flora and fauna. But he still wanted to go to Texas and left Mexico just as the hostilities in Texas were escalating. In an effort to reach Texas he tried joining the Texas revolutionaries but alas, it was not to be. He wound up ship-wrecked on the Alabama coast near Mobile.

So close and yet, so far.

Being the headstrong German that he was, he tried once again to reach Texas and finally arrived at San Jacinto (pronounced Hah-seen-toe) the day AFTER the final battle of the Texas Revolution on April 22, 1836. Despite missing most of the action he joined the army of the new Republic of Texas and served 19 months. During this time and after his discharge in 1837 he spent any free time exploring the flora of his new home.

An old friend from Frankfurt, Georg Engelmann, invited Lindheimer to spend the winters of 1839–40 and 1842–43 with him in St. Louis. (Englemann had immigrated to America in 1832 and dabbled in botany as a hobby.) Lindheimer brought preserved Texas plant samples with him on these visits. Via their friendship Lindheimer’s collections came to the attention of professor Asa Gray, founder of the Gray Herbarium at Harvard University and author of the original Gray’s Manual of the Botany of the Northern United States. The plants from the Republic of Texas generated quite a bit of excitement in old Harvard Yard.

In 1843 arrangements were made for Lindheimer to collect plant specimens for Engelmann and Gray. He spent the next nine years collecting from a variety of Texas areas, including Chocolate Bayou, Cat Springs, Matagorda Bay, Indianola, and Comanche Springs. 

Over the next thirteen years, Lindheimer collected over fifteen hundred species in central and south Texas for Engelmann, Gray and others who were building collections. The samples had to be pressed and dried with multiple changes of blotting paper, then mounted and shipped. The collection date, location and habitat were logged for each specimen. Lindheimer earned $8 for each hundred specimens submitted. Occasionally he sent seeds or cuttings so Gray could try propagating the plants at Harvard. Using his own knowledge and whatever reference materials he could find, Lindheimer could place most plants in the appropriate family and make a good guess at the genus. But official classification was left to the scholars who received his samples.

Ipomea lindheimeri 
Photo by Greg Goodwin
https://www.wildflower.org/plants/result.php?id_plant=ipli

In 1844 Lindheimer was granted land on the Comal River in the new community of New Braunfels, TX. and remained in the area for the rest of his life. He kept collecting, started a botanical garden, and in 1852 was elected the editor for the town newspaper, Neu Braunfelser Zeitung, one of the earliest newspapers in Texas. He was associated with the paper for the next 20 years, eventually becoming the publisher. Legend is that it never missed an issue, not even during the Civil War when newsprint was not to be had. Lindheimer printed on butcher paper, wrapping paper, and leftover paper from his plant-preserving supplies.

Neu-Braunfelser Zeitung (New Braunfels, Tex.), Vol. 1, No. 16, Ed. 1 Friday, February 25, 1853

In 1872 Lindheimer ended his association with the paper to devote more time to his work as a naturalist. He is credited with discovering several hundred plant species and his name is used to designate forty eight species and subspecies of plants and one species of snake. ( I really wanted to put a picture of the snake here but was advised that some people don’t like reptiles as much as I do. Sigh)

In 1879 his essays and memoirs were published under the title Aufsätze und Abhandlungen.

Lindheimer died on December 2, 1879, and was buried in New Braunfels. His grave is registered on The Historical Marker Database and his house on Comal Street in New Braunfels, is a museum, a Registered Texas Historic Landmark and is on the National Register of Historic Places.

Lindheimer’s plant collections can be found in at least twenty institutions, including the Missouri Botanical Gardens, the British Museum, the Durand Herbarium and Museum of Natural History in Paris, the Harvard University Herbaria, the Smithsonian Institution, and the Komarov Botanic Institute in St. Petersburg

Want to learn more about Ferdinand Lindheimer?

https://biodiversity.utexas.edu/news/entry/the-father-of-texas-botany#:~:text=Many%20species%20in%20central%20Texas,shows%20up%20in%20people%27s%20houses.

https://www.tamupress.com/book/9781623498764/the-writings-of-ferdinand-lindheimer/

https://www.tamupress.com/book/9781585440214/life-among-the-texas-flora/

https://archive.org/details/mobot31753003757678

Tulips for the desert?

Spring bulb planting time is on across North America!  Many types of bulbs do well in desert and xeric gardens: hyacinths, ranunculus, iris, narcissus, crocus, alliums can all be happy. One bulb that’s often left off the list are tulips. Why is that?

The tall flashy hybrid or Darwinian tulips that fill the catalog photos are usually considered an annual in most desert gardens. They require more chilling than the our desert winters can usually provide and can be a little fussy about soil and water.
But tulips can be very happy in xeriscapes. In fact they can get so happy they’ll set seed and naturalize in the right conditions. And which tulips are those you ask? (Yes you did, I heard you.)
They’re species tulips and are non-hybridized. They’re more of “wild” type of plant. What’s so special about them?
They’re tough, amazingly tough.

Tulips are originally from mountainous areas of the Mediterranean, Middle East and Asia. Some are also native to Southern Europe, North Africa, and several Mediterranean islands. They’re frequently found clinging to barren mountain ledges, rocky areas exposed to wind and cold, and drought ridden slopes.

Map by Tulips in the Wild
For an interactive format with species information go here:
https://www.tulipsinthewild.com/map_table/tulip_origin_map.html

Species tulips are shorter and smaller than hybrids but what they lack in stature they more than make up for in resilience and showy display. They’re an early bloomer in the desert southwest which is wonderful for the pollinators that are often active on warm winter and early spring days.

Their foliage is usually more varied than hybrids; some have broad, curled edged leaves, some are tall and narrow. The color varies too, from a bluish tint to shades of green. Some varieties even have multiple blooms per stem.

Many species are attractive whether the blooms are closed or opened. They often have very different coloration inside and out.

Closed…
…and open

Some have contrasting pollen color which adds great visual interest.

These have a deep purple pollen.

Species tulips are usually perennial in warm winter climates. They increase via bulb offsets while many will set seed. They aren’t fussy about soil as long as it’s well drained. But like all plants they do require water during bloom and while the leaves are green but still, not as much as other bulbs. They’re perfect for xeriscaped or low water landscapes since they require less overall water than other bulbs. Plus, they prefer to be dry during their dormant season, which is summer to fall.

These tough little beauties can occasionally be found in garden centers but for the best selection shop online, search for “species tulips.” Do some homework first, and become familiar with the the available varieties.

Plant these tulips from fall to early winter. Provide full sun and good drainage, rocky or lean sandy soils are ideal and most closely approximate their native conditions.

Don’t overplant with species that require a lot of summer water. Mix these bulbs with other plants that prefer hot dry conditions. Tuck them into those corners that get spring – early summer sunshine, spots that don’t get much summer water, or put in containers that you can enjoy and then ignore during the summer. Pot them in cactus mix combined with a small amount of regular potting soil and top with an organic mulch. Remember, drainage is a must and overly rich or high organic matter conditions aren’t to their liking.

If you live in a dry or desert region and have never tried species tulips, why not give them chance. You might just discover a new favorite.

People and Plants

In this episode of P&P we’ll take a look at the life and career of the aptly named Nehemiah Grew, the “Father of Plant Anatomy”.

Nehemiah Grew
1641-1712

Nehemiah Grew was born on September 26, 1641 in Warwickshire, UK. He graduated from Pembroke College, Cambridge in 1661 and ten years later was awarded a MD degree from Leiden University in the Netherlands.
His interest in plant anatomy began to bud in 1664. In 1670 his essay, The Anatomy of Vegetables begun, was shared with the Royal Society and resulted in his election to the membership.
By 1672 he’d put down roots in London and soon had a large medical practise. Even though he was busy with his career as a physician he still found time over the next decade to write a couple of books, a few short publications on botany and several papers one of which has the intriguing title, “Comparative Anatomy of Stomachs and Guts” and was included in his “Catalog and Description of Rarities” publication, ca. 1681.

Photo courtesy of Royal Society (Great Britain) Museum.

In 1682 his tome, The Anatomy of Plants begun as a philosophical history of plants“, was published. It’s largely a collection of previous publications and is divided into four books, Anatomy of Vegetables begunAnatomy of RootsAnatomy of Trunks and Anatomy of Leaves, Flowers, Fruits and Seeds. It has eight-two illustrated plates and an appendix of seven papers which deal mainly with chemistry.
The book is noted for its descriptions of plant structure, a fairly unknown thing at that time. Grew described nearly all the key differences of stem and root morphology and showed that the flowers of the Asteraceae family are composed of multiple tiny tube flowers (florets). The most amazing of his discoveries was that plants reproduce sexually and that flowers are sexual organs. He distinguished and assigned “roles” to the calyx, corolla, pistils, and stamens.


Grew is remembered for being one of the first to establish the observational basis for botany and is noted for his detailed descriptions of plant anatomy. He utilized the microscope (invented in 1590) for his plant anatomy explorations and was a pioneer in this field. His book “Anatomy of Plants…” contains the first known microscopic description of pollen. He discovered that although all pollen is roughly globular, its size and shape varies between species; however pollen grains within a species are all alike. This discovery is central to the field of Palynology, “the study of dust”, which is the study of pollen and particulate samples both organic and inorganic.

Plate from Nehemiah Grew’s The Anatomy of Plants (1682)
Source 

Grew’s research technique was based on his adherence to observations and avoidance of explanations invoking occult, hidden or vital forces, or signatures. He also avoided the direct hand, intervention, or guidance by God or other spiritual beings.
He embraced a mechanical and natural philosophy which permitted him to think much like an engineer or how to make the most out of the materials at hand. This engineering concept was theologically acceptable during his time.
Why is this significant?
This ‘Mechanical way’ and Grew’s own theory of “Organ-ism”, that plants possess organs and structure, was outside the bounds of most of the thinking of his time. Before the 17th century it wasn’t certain that plants had much internal structure and that distinct parts or organs played distinct roles. It was often thought that the external shape of a plant was a clue or signature to its use, re: Doctrine of Signatures. But whether there was anything resembling organs in plants was contested. Grew’s detailed illustrations help dispel that belief and bring the study of plants into the scientific world.

Plate from Nehemiah Grew’s The Anatomy of Plants (1682)
Source

In honor of Nehemiah’s work and role as a founder of modern botany, Carl Linnaeus named the genus Grewia after Nehemiah Grew. Grewia is in the Malvaceae family and can be found in several areas including Africa, India, and Australia where it has naturalized and become invasive.
Its fruit comes in both sweet and tart varieties and is used for food and beverages. Other parts of the plant have been used medicinally.

Grewia occidentalis
Image by Giuseppe Mazza

Like to know more?
Part 1 | Christoffer Basse Eriksen: Nehemiah Grew and the Making of the “Anatomy of Plants” (1682) – Lecture

Part 2 | Christoffer Basse Eriksen: Nehemiah Grew and the Making of the “Anatomy of Plants” (1682) – Response & Panel Discussion

*Summertime, and the livin’ is easy…

If you listen closely you can hear the beasties in your garden just a-singin’ that tune. And who can blame them? Warm temperatures and lush green gardens? They enjoy them as much as we do. But sometimes they can be enjoying our landscape a little too much. So now what do you do?
Visit the garden chemicals section at your local big box store?
Reach for your favorite “natural” or DIY concoction?
Ask your neighbor?

Hmmm, maybe not.

What is the best way to deal with the problem?
Three letters answer that question.

IPM.

Scoutcat logo courtesy of C. Ware, copyright 2000


What is IPM? Integrated Pest Management (IPM) is the management approach you should use to solve pest problems. It can manage all sorts of pests with minimal risks to people, pets, and the environment. IPM’s emphasis is on the management of problems rather than eradication. It focuses on long-term prevention of pests or their damage by managing the ecosystem.
IPM is a five step process: 1) correct pest ID, 2) monitoring and assessing pest numbers and damage, 3) pest ID guidelines for when management action is needed, 4) preventing pest problems, and 5) determining correct control measures. Let’s take a look at each one.

#1. Pest ID

Correct ID of the problem-causing critter is the most important aspect of IPM. If you don’t know what you’re dealing with, how can you devise an effective control strategy, if indeed one is needed?
So what is a pest? Pests are organisms which damage or interfere with desirable plants or damage structures. Pests also include organisms that can impact human or animal health. Pests may transmit disease or may be just a nuisance. A pest can be a plant (weed), vertebrate (bird, rodent, or other mammal), invertebrate (insect, tick, mite, or snail), nematode, or a pathogen (bacteria, virus, or fungus).
A correct ID of the pest must be made before deciding if control is needed. If you aren’t sure you’ve ID’ed it correctly or want a second opinion, take a sample to your local Cooperative Extension Service Office.
Note: Be careful about asking for pest ID at a garden center. Employees may not be knowledgable, or your request might be seen as a sales opportunity. And think twice before taking the advice of someone who might try to sell you something.

It never hurts to ask for more input on an ID.


#2. Monitoring and Assessing Pest Numbers and Damage.

You’ve probably heard the saying, “The best fertilizer is the gardener’s shadow.” I’ll make the claim that “The best pest control method is the gardener’s shadow”.
For effective monitoring, you need to be out in your garden on a regular basis. Looking, listening, even handling plants, checking under leaves, etc., so you come to know it as well as you know the layout of your living room. You should have a good knowledge of your landscape’s microclimates, soil conditions, the path of sunlight through the year, how seasonal changes affect your garden and a general grasp of the climate. Once you know what’s “normal” for your landscape it’ll be easier to spot any abnormalities.


For example:
Your favorite rose always has a few aphids but the population seems to have exploded in the last few days. And why do some of them have wings?
Is that slug damage on that hosta?
You don’t recall seeing those rusty patches on that hollyhock before.
What are the odd black spots on this pomegranate?
Hmm….
Always ask yourself how extensive the damage is. Does it threaten the health or life of the plant, or is it largely cosmetic? Do you need more expert advice?
Continual monitoring and assessing of what’s going on in your landscape can help you decide if the damage is important or extensive enough to require pest management.

#3. Pest ID Guidelines to Determine if Management Action is Needed

Which one is the pest? They both seem surprised.

Using the biological information of the correctly ID’ed pest will help you decide if you need to deal with the situation. Here are some things to consider when deciding if management is needed.
Is the pest short-lived and is only in the garden for a few weeks or even days?
Does it only make a seasonal appearance?
Is the damage of long duration/the entire growing season, only for a short time and the plant recovers, or is the damage mostly cosmetic?
Is it a pathogen?
Does it carry a pathogen?
Can it cause irreparable harm?
Is it an invasive species that can or should be controlled?
Does it threaten a needed food garden?
Is the damage really that bad?

Knowing the life cycle and feeding habits of your ID’ed pest will help you determine if control is necessary. Use their biology against them. Do your homework.

So you have a plant issue and you’ve correctly ID’ed the pest and the problem. It needs to be dealt with.
What’s your next step?

“And you may ask yourself, “How do I work this…”?
Once in a Lifetime
by the Talking Heads


#4. Preventing Pest Problems

“An ounce of prevention is worth a pound of cure.” applies to landscapes as well our personal health.
Ask yourself if the garden problems you’re facing, most of which will be cultural, can be handled with preventative measures.
Are you over or under watering? This stresses plants which can attract pests.
Is the plant that is under attack in a less than optimal location? Can you move it or change its environment to help it become healthier? Or should you just remove it and let the Japanese beetles eat somewhere else?
Are you practicing good garden sanitation, are you cleaning up those camellia leaves and blossoms after they fall, are you turning that compost pile and ensuring it heats properly in order to kill pathogens or pests?
If your growing zone allows it, perhaps you could plant your summer squash or tomatoes later and avoid that first rush of squash bugs or hornworms? (Keep in mind that hornworms are larval sphinx moths which are an important bat food source.)
Have you tried using row cover to exclude problem insects or other pests?
Be sure you’re not causing the problem. A little garden evaluation can do a world of good.
The decision you make here will determine the road you take in dealing with your pest issue. You’ve identified the pest, done some sleuthing and have an idea of the scope of the problem in your landscape. Now you have to decide what is the acceptable level of this pest to have in your yard.
And as always, “Right Plant, Right Place”.

#5 Determining Correct Control Measures

Start at the base of the pyramid when choosing control measures

After analyzing the situation you’ve determined you need to engage in some form of pest control. But what should you use? Always strive to use the most benign yet specific form of control you can. Use the method which best targets the problem.
A combination of control methods usually give the best results. These include biological, cultural, mechanical/physical, and chemical/bio-rational measures. Start at the base of the pyramid (see above image) and work your way upward. Always allow sufficient time for methods to yield results. Pest problems rarely happen overnight. Early intervention is the key to control. See #2 above.


If you are forced to use pesticides always use them as a last resort, not as a first option.
Avoid using systemics on plants which are used by pollinators or other beneficial insects.
Avoid using broad spectrum pesticides and keep in mind that many pesticides which are approved for “organic” use are more toxic and less selective than “synthetics”.
An exception to the “avoid broad spectrum pesticides”: there can be times when a broad spectrum herbicide, such as glyphosate, is needed to kill both monocots and dicots. Use with care and follow label directions.

Always target the specific pest or problem.

To review:
Please follow the IPM Five Step Process:
1. Always ID the pest correctly.
2. Get to know your own landscape. Monitor and assess pest numbers and damage to determine if intervention is truly needed. It often isn’t.
3. Use the pest’s life cycle and feeding habits to decide if or when management action is needed. Use their biology against them.
4. Prevent pest problems in the first place. Be sure you’re not part of the issue. “Right Plant, Right Place.”
5. If necessary, determine the correct control measures and always choose the most benign method which will do the job. Keep in mind products labeled “natural” may not be the best or safest option. Avoid DIY concoctions. They’re usually ineffective, harmful and an illegal use of ingredients.

Garden smarter, not harder.

Want to learn more about IPM?
http://www.npic.orst.edu/pest/ipm.html
https://ipminstitute.org/what-is-integrated-pest-management/
https://www.usda.gov/oce/pest/integrated-pest-management
https://www.epa.gov/safepestcontrol/integrated-pest-management-ipm-principles
Regional IPM centers

And last but not least:
* Link to my favorite cover of this great George Gershwin tune

People and Plants

This Independence Day weekend blog post is about John Bartram, the American gardener and botanist who revolutionized gardening.

John Bartram was born a third generation Quaker on a farm in Darby, Pennsylvania on March 23, 1699. While he had no formal education beyond the local school, he was interested in medicine and medicinal plants. Stymied by the lack of local medical schools, his interests gradually turned to botany and he became one of the first practicing Linnaean botanists in North America.

In 1728, Bartram purchased 102 acres of farmland and 10.5 acres of marshland along the Tidal Schuylkill River from Swedish settlers. After establishing his farm and building his house, he laid out his first garden across six or seven acres on a terraced slope leading from the house to the river. His farm and collections expanded over time and have since been recognized as the first botanical garden in the USA.


Bartram made many plant collecting trips, the first documented one to the “Jerseys and Schuykill mountains” in 1735. His many travels by boat, horseback, and on foot, took him to New England, south to Florida, and west to Lake Ontario. While traveling he collected seeds and plant specimens, assessing how best to cultivate them back home in Philadelphia and how to share his discoveries. Other Colonial-era plant nerds supported his efforts and shared unique plants from their own collections.

Through his seed and plant sharing network Bartram became associated with Peter Collinson, an English merchant, fellow Quaker, and Royal Society member. Collinson, also a plant lover, shared seeds and plants with fellow gardeners, many well placed in British society.

Encouraged by Collinson, who eventually became his chief agent in London, Bartram established an international trade in North American seeds and plants packed carefully in wooden “Bartram’s Boxes” which were shipped in the fall. For five guineas, clients received a container of generally 100 or more varieties of seeds, as well as occasional dried plant specimens and other natural curiosities like bird nests and rocks. Despite the hazards of a sea voyage, many arrived safely to their destinations, where they established a new palette of American colors and shapes within European gardens and landscape.

Bartram’s nursery business continued to grow and thrive with sons William and John Jr. joining the business. Bartram and William continued their plant collecting journeys around North America. In October of 1765, after becoming lost on one of their trips near the Altamaha River in southeast Georgia, they came across the “rare and elegant flowering shrub” Franklinia alatamaha. Of course they collected specimens, which is fortunate for us as the plant appears to be extinct in its original native range. It survives today in cultivation because of the Bartrams’ efforts (you can read this interesting article for more on the topic).

Franklinia bloom
Photo by Tom Potterfield licensed by CC BY-NC-SA 2.0

After lobbying by Collinson and Benjamin Franklin in 1765, King George III granted Bartram a pension of £50 per year as the King’s Botanist for North America, a post he held until his death. In this position, Bartram shipped his seeds and plants to the royal collection at Kew Gardens. Bartram also contributed seeds to the Oxford and Edinburgh botanic gardens. In 1769 he was elected a foreign member of the Royal Swedish Academy of Sciences in Stockholm.

John Bartram’s house as it appears today

Bartram, the “Father of American Botany,” died in 1777. His sons, William and John Jr,. continued the family business of North American plants after the American Revolution. A total of three generations of the Bartram family continued to operate and expand the botanic garden. It was considered the major botanic garden in Philadelphia until the last Bartram heirs sold out in 1850. America’s oldest surviving botanic garden was dedicated as a 50 acre National Historic Landmark in 1963. Be sure to visit when you’re in the area.

Interested in learning more about John Bartram and other revolutionary gardeners of his time? There’s an excellent book by Andrea Wulf, “The Brother Gardeners“. I highly recommend it.

ISBN-10 ‏ : ‎ 0307454754
ISBN-13 ‏ : ‎ 978-0307454751

Happy Independence Day and here’s to garden revolutions everywhere!

Franklinia alatamaha by William Bartram (1782)

Tomato season is open!

Mmmmm, fresh summer tomatoes. They’re great sliced, diced or made into salsa or sauces. There’s nothing like picking one right off the vine, popping it in your mouth and splat! You now have tomato all over your shirt.
“No problem,” you think, “it’ll come out in the wash.”

Fast Forward to Laundry Day…

As you’re putting your freshly washed and dried laundry away you notice that tomato stain is still there. So you toss it back in the hamper for next time.
Several laundry days later, that tomato stain is hanging on. You decide it’s time to get serious.

So you soak and you scrub.
And you soak and you scrub.
And still that stain refuses to budge.
(Rather poetic isn’t it)

You’re about to go all Lady MacBeth on it!

Out, damned spot! Out, I say!”
The Tragedy of MacBeth, act 5, scene 1

But thankfully you regain your senses before ruining the shirt.
“What’s the deal with this *&#^%*$ tomato stain!” you wonder. You’re almost ready to designate it your “special tomato shirt,” which admittedly would be handy for those “S’ketti Night Socials” at the county fair, but you’re not quite ready to give up yet.

Nil desperandum my friend! Professor Sprout has some special botanical knowledge to impart that will make your Expelliarmus spell work.

Why Are Tomato Stains So Difficult To Remove From Fabric?

Tomatoes contain multiple pigments: chlorophyll, carotenoids, xanthophylls, and betacarotene. The trouble maker is a bright red carotenoid, lycopene. It’s an approved food coloring and is found in other red fruits such as watermelon, red carrots and papaya. Despite it’s being a carotene, it has no vitamin A properties.

Lycopene

Why Does Lycopene Stain?

Lycopene is not a water soluble pigment, it’s only soluble in fat. In other words, it’s hydrophobic. Hydrophobic molecules cling together to minimize their contact with water, so the pigment hangs onto whatever surface it’s on. Add the nooks and crannies of fabrics, especially natural ones, and it’s hard to get it to release its hold. The hydrophobic nature of lycopene also means that it resists attempts to clean it with just soapy water. The high temperatures of a washing machine can drive stains even deeper.

Nope, that water ain’t gonna touch me!


So, How to Remove a Lycopene Based Stain?

The trick to removing a lycopene based stain from fabric is to treat it like a lipid stain (lipid = fat or oil). Bleach won’t work and often regular spot treatment or laundry detergent won’t either. If it’s an old stain you might need to put a drop of regular cooking oil on the stain or spritz it with an oil based pan spray. What you’re wanting to do is get the lycopene back into an oil base which can then be washed out.
Another thing that works is to hit the stain with a solvent based stain remover. There’s a popular brand of carpet cleaner that works quite well for this. We can’t make commercial recommendations here but if the name Sp*t Sh*t rings a bell well, aren’t you clever. As with all stain removers test on an inconspicuous area beforehand.
If the stain has been through several wash loads, it make take a few wash loads to remove it. But the above method will work.

Cleaner clothes, with botany!

Bonus round!

Lycopene also stains plastic which is why the container you reheated the Aunt Mamie’s spaghetti sauce in is red. The good news is that lycopene will oxidize so you can soak the stained plastic with a bleach solution which should remove it.

A little soak with a bleach solution will remove the ‘mater stain.

So there you go. Enjoy tomato season and don’t worry about the laundry!

Johann Weinmann “Tomatoes” 1737-45

Burlap, the fashion fabric of the gardening world.

Cheap, lightweight and easy to manipulate, burlap has become a popular way to protect transported B&B trees from the nursery to their planting site. To add justification for its use it’s also touted as biodegradable. “No need to remove it!” or “Leave it in place to protect the root ball.” and other such phrases are often tossed at the unknowing homeowner but are they laudable? Let’s investigate.

Hessian soldiers ca. American Revolutionary War – what do they have to do with burlap?

Carl, J.H., “Regiement von Bosse” (1784). Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection. Brown Digital Repository. Brown University Library.

Burlap is the North American name used to refer to a fabric known as hessian in other parts of the world (except in Jamaica where it’s called crocus.) “Hessian” is attributed to the historic use of the fabric as part of the uniform of soldiers from the former Landgraviate of Hesse and its successors, including the current German state of Hesse. Soldiers from these areas were called “Hessians”. If you recall your American Revolutionary War history, the name Hessian might ring a bell.
While the word burlap might bring to mind the image of a coarse brownish material, Hessian fabric is available in different types of construction, form, size and color. Even though the two names refer to the same fabric, we’ll stick with “burlap” for our discussion.

Illustration of Corchorus olitorius, 1828, William Jackson Hooker (1785-1865)

Burlap is produced from two Corchorus species in the Malvaceae family. The main fiber source is C. olitorius but the fiber from C. capsilarius is considered superior to it having a finer texture. Both plants are called jute, which also applies to the fiber.

Jute grows best in a warm, wet climate. A long monsoon season followed with consistent temperatures over 75ºF/ 25°C and relative humidity of 70%–90% are ideal. Jute requires 65″-80″/160–200 cm of rainfall yearly plus extra during the sowing period. The plants prefer river basins, alluvial or loamy soils with a pH range between 4.8 and 5.8. Periodic flooding or marshy conditions are well tolerated. ~85% of the world’s jute is grown in the Ganges Delta.

Farmer collecting bundles of harvested jute to be taken for initial processing in West Bengal India. CC image

When ready to harvest, the jute is cut off at the soil surface and gathered into bundles for transport and processing. To extract the fiber, the jute bundles are retted. There are a variety of retting processes: mechanical (hammering), chemical (boiling & applying chemicals), steam/vapor/dew retting, and water or microbial retting. Water or microbial are the oldest forms and most often used.

Jute bundles being water retted. The bundles are kept submerged with logs. CC image

When the jute is well retted, the bundles are hit with a long wooden hammer to loosen the fibers from the core. After loosening, the fibers are washed with water and squeezed dry. The extracted fibers are further washed with water then hung up to dry. When dry they’re tied into bundles to be sold at market.

Jute fibers drying. CC image
Jute market. CC image

So what does all of this have to do with B&B trees?

Image by USU Extension

Burlap, even a tightly woven burlap, “breathes.” This gives it a strong resistance to condensation, moisture, and fungal growth. Jute is a hard fiber which makes it very durable and jute burlap is wear, tear, puncture, and stretch resistant. Breathability plus condensation, moisture, fungal growth, wear, tear, puncture and resistance to stretching are all qualities which make burlap a good choice for the transport and storage of goods and as a geotextile.

“Natural” burlap is lightly treated with an emulsion, usually a cheap plant based 3:1 water and oil mixture, as a part of the weaving process. The mixture makes the fibers easier to handle and move through the loom, and helps reduce waste. The water does most of the work; the plant-based oil just prevents the water from evaporating so quickly. Burlap made with plant-based emulsion is required for food safety, storage and transportation and aren’t as long lasting as the other type of burlap. They normally last about three years in use but can take up to a decade to decompose.
Yes, you read it correctly.
“Natural” burlap can take 10 years to fully decompose.

Burlap sacks of green coffee beans.
Image credit: Tim Pannell, Mint Images/Science Photo Library
 

The qualities that make burlap good for food stuff transport also make it useful in the construction, landscape, government/emergency services, and outdoors/sporting sectors. Fabric woven for use in these areas is treated differently; the emulsion used on it during weaving is usually petroleum based. This emulsion is designed to add more water, rot, and gnawing pest resistance to the fibers prior to weaving. It can leave the fabric feeling “sticky” or “coated” and tends to attract dust and dirt. It also has a peculiar chemical aroma to it. The finished fabric is often treated again to add even more resistance. So, the fibers are treated prior to weaving and then often again afterward. A double whammy, so to speak. “Treated” burlap is very long lasting, durable and can be stored for years in a variety of conditions without the fibers weakening. It can last for decades, above and below ground.

A hay bale ground blind covered with water and wind resistant burlap.
We didn’t know this was a thing.

Which brings us back around to B&B trees.

Image credit: Matt McClellan

Guess which burlap is used almost exclusively in the landscape industry, the “natural” or “treated” ?
If you guessed “treated,” you’re correct! Its durability, ease of use, and excellent storage qualities makes it the #1 choice for transporting nursery trees.
Unfortunately many, if not most, plant people don’t know about different burlap types and are relying on out-dated information. (This is true in more areas than just burlap, but those are other issues.)
Try asking if the burlap on that root ball is “natural” or treated and see what their response is. Feel the fabric yourself. Does it have a tacky feel, do your fingers drag on it, does it seem to attract dirt or dust? Does it have a chemical or petroleum odor to it? These are all indicators of treated burlap. Both natural and treated burlap degrade slowly. Leaving burlap on the root ball will only encourage circling roots and probably doom the tree.

Just so we’re not being misunderstood: Wrapping the root ball with burlap for transporting purposes is all well and good.

But you have to remove it at planting!

Let’s do a quick review of the qualities of burlap and how they can backfire when planting trees.
Breathability: not really a problem underground but can cause the root ball to dry out if the tree is exposed to the air for too long.
Condensation and moisture resistant: doesn’t absorb water so the fibers won’t rot.
Little to no fungal growth: isn’t consumed by fungi so fibers stay intact.
Tear and puncture resistance: roots can’t push or force their way through therefore encourages circling roots.
Doesn’t stretch: won’t expand with root growth therefore encourages circling roots. Sound familiar?
Natural” burlap: can take up to a decade to completely decompose all the while negatively impacting root growth.
“Treated” burlap: can take decades. ‘Nuf said.

Bonus round!
Soil factors can also influence burlap decompostion. The decay rate in soil pH levels below 6 is significantly slowed. Low soil temperatures result in a slower decomposition process. Dry soil slows jute fiber break down too and even desert termites don’t care for treated burlap.

A B&B tree is an investment: give it the best possible start you can. Always remove the burlap, wire basket, strings, ties, or any other constrictions you find. And don’t forget to root wash, correct any root problems, and spread the roots out horizontally away from the trunk when planting.

Image credit: George Weigel

For your enjoyment, be sure the sound is turned up so you get the full effect.
https://youtu.be/D9AUnYTol68