Advancing the science of gardening and other stuff since 2009
Author: Sylvia Thompson-Hacker
Sylvia Thompson-Hacker is a Doña Ana Co. New Mexico Extension Master Gardener. She is also an admin on the Garden Professor's Facebook page and the Garden Professor's Facebook blog group.
We have a guest writer for this week’s GP blog post, Teresa Watkins! She’s a professional landscaper and garden consultant in Florida (her bio is at the end of the column). As a professional she has seen “landscaper results” that will astound, scare, shock, or otherwise perturb you to no end. She has graciously shared photos and input for this blog post.
We hope this will be a series highlighting what to watch for when hiring a landscape company. Most of the following examples will have a “Caveat Emptor” feel to them. Just sayin’.
GP disclaimer: If you’re bothered by anything in this blog post please do not hold it against Ms. Watkins. Blame the editor who may have taken some liberties with the captions depending on how frustrated they felt at the time.
Let’s get started.
Case #1. Your landscaper charges you to edge dirt.
Case #2. Your landscaper cut your plants so low to the ground they die.
Case #3. Your landscaper continues to commit crepe murder.
Case #4. Your landscaper plants a shade species in full sun, or vice versa.
Case #5. Your landscaper insists on using herbicides for weed control along lawns, gardens and fence lines.
Our guest blogger, Teresa Watkins, is a landscape designer and owner of Sustainable Horticultural Environments. She creates unique, beautiful, and sustainable landscapes with her “gardening with soul” philosophy. Over 40,000 homeowners and professional landscapers have attended Teresa’s talks and programs. Teresa hosts Florida’s most popular syndicated radio garden show “Better Lawns and Gardens” Saturday mornings on WFLA-Orlando, iHeart, Spotify, Audioboom, iTunes, and on podcast. She enjoys traveling and leading garden tours, checking off incredible national and world gardens on her ‘bucket’ (pronounced ‘bouquet’) list. www.she-consulting.com
It’s time for our Spring edition of People and Plants. This time we’ll be taking a look at the life and accomplishments of Asa Gray.
Asa Gray (November 18, 1810 – January 30, 1888), now considered the most important American botanist of the 19th century, had very humble beginnings. He was born in the back of his father’s tannery in Sauquoit, New York, the eldest of eight children. From childhood Asa was an avid reader. After completing grammar school in 1825 he attended the Fairfield Academy in Herkimer Co., New York and then went on to the Fairfield Medical College in 1826. It was then he began mounting botanical specimens. He got his medical degree and did eventually open a practise in Bridgewater, New York but never really “made a go of it”, he enjoyed botany much more. So much more that in the fall of 1831 he basically gave up his medical practise to devote more time to the study of plants.
By 1832 he was trading specimens with botanists not only in America but also in the Pacific Islands, Asia and Europe. In early 1836 he became curator and librarian at the Lyceum of Natural History in New York, now called the New York Academy of Sciences, he resigned in 1837. In 1838 he took a position at the newly established University of Michigan as the Appointed Professor of Botany and Zoology. This position was the first devoted solely to botany at any educational institution in America. He was soon dispatched to Europe to purchase books to start the university’s library and for equipment, such as microscopes, to aid research. He spent a year traveling around Europe, visiting gardens and meeting important botanists of the day including William Hooker in Glasgow, Jospeh Descaisne in Paris, Stephan Endlicher in Vienna, and Augustin Pyramus de Candolle in Geneva. He returned to the USA in 1841. Some trip, eh?
While he was in Paris at the Jardin des Plantes Gray came across an unnamed dried specimen, collected by André Michaux, and named it Shortia galacifolia. Over the next 38 years he spent considerable effort looking for a specimen in the wild. The first expedition in the summer of 1841 to an area in Ashe Co., North Carolina was unsuccessful. Further expeditions yielded the same negative results. In May 1877 a North Carolina herb collector found a plant he couldn’t identify. It was collected and sent to Joseph Whipple Congdon who contacted Gray telling him that he felt he’d found Shortia. Gray was thrilled to confirm this when he saw the specimen in October 1878. In spring 1879 Gray led an expedition to the spot where S. galacifolia had been found. Unfortunately, and much to his disappointment, Gray never saw the wild species in bloom.
In 1841 Gray was elected to the American Academy of Arts and Sciences. In 1842 he accepted the offer of a position at Harvard University. It included a salary of $1,000/year, teaching only botany, and being the superintendent of Harvard’s botanic garden. Though the salary was low the position allowed him plenty of time to do research and work in the garden. He was only 32. At the time he had a priceless collection of more than 200,000 preserved plants, many of which he named as new species, and 2,000 botanical texts, which he donated to Harvard to found its botany department.
In the summer of 1844 Gray moved into what became known as the Asa Gray House in the Botanic Garden. As an academic, Gray was considered a weak lecturer but was highly regarded by his peers for his expert knowledge. He was better suited to teaching advanced rather than introductory classes, which he found tedious. He eventually became well known by the outside of academia for his prolific writings and textbooks.
His first book, TheElements of Botany was published in 1836. In it Gray championed the idea that botany was useful not only to medicine, but also for farmers. His next work Flora of North America, co-authored with John Torrey, was published in 1938. By the mid-1850s he had become so well-known that he wrote two high school-level texts in the late 1850s: First Lessons in Botany and Vegetable Physiology (1857) and How Plants Grow: A Simple Introduction to Structural Botany (1858). The publishers pressured Gray to make these two books non-technical enough so high school students and non-scientists could understand them. A prolific writer, he was instrumental in unifying the taxonomy of North American plants. The most popular book was his Manual of the Botany of the Northern United States, from New England to Wisconsin and South to Ohio and Pennsylvania Inclusive, known today simply as Gray’s Manual. Gray was the sole author of the first five editions of the book and co-author of the sixth, with botanical illustrations by Isaac Sprague. Many editions have been published and it remains a standard in the field.
Gray also worked extensively on a phenomenon called the “Asa Gray disjunction” which is the surprising morphological similarities between many eastern Asian and eastern North American plants.
Before 1840 Gray’s knowledge of Western US plants was limited to specimens sent him by collectors and colleagues working in the field. He worked with George Engelmann, Ferdinand Lindheimer, and Charles Wright who all collected widely in the Southwest including Texas, New Mexico, and parts of northern Mexico. Accompanied by his wife, Gray finally traveled to the American West on two separate occasions, the first by train in 1872 and then again in 1877. Both times his goal was botanical research and sample collection to take back to Harvard. His collecting companion on these trips was Jospeh Dalton Hooker, son of William Hooker whom Gray had met in Glasgow on his first trip to Europe in 1838. Gray’s and Hooker’s research was reported in their joint 1880 publication, “The Vegetation of the Rocky Mountain Region and a Comparison with that of Other Parts of the World,” which appeared in volume six of Hayden’s Bulletin of the United States Geological and Geophysical Survey of the Territories.
Asa died in January of 1888 after suffering a stroke two months prior.
In this late fall edition of People and Plants we’ll take a look at an early American female botanist, Martha Daniell Logan.
She was born in 1704 in St. Thomas Parish, South Carolina, the second child of Robert Daniell and his second wife Martha Wainwright. After her father died in 1718 she inherited his land along the Wando River. In 1719, Martha married George Logan, Jr. and they lived on the Wando River, ten miles from Charleston, where both the Daniell and the Logan families owned extensive property. Over the next sixteen years, she gave birth to eight children, six surviving to adulthood. In 1750 the family moved to a plantation near Charleston. Needing to enhance the family income she advertised her services as a teacher but her attention gradually shifted to horticulture. She began her botanical career collecting in the woods near her home.
Martha soon gained the reputation of a skilled gardener and maintained a well-known garden “on the Green, near Trott’s Point in Charles Town.” Gardening became her focus and occupation and she embarked on a career as a “purveyor of botanical goods,” selling seeds and plants from her home. In addition to native plants, she dealt in imported specimens. Gardening, especially landscaping with rare plants, had become a favored pastime among wealthy locals and Martha was quick to capitalize on this. An advertisement published in the Gazette on November 12, 1753, announced the availability of “a parcel of very good seeds, flower roots, and fruit stones of several kinds” that were “just imported from London.”
She exchanged seeds, roots, and plants, like gardeners do, with other botanical enthusiasts including the naturalist John Bartram. His visit in 1760 initiated a three year correspondence and trade of specimens. They swapped lists of available plants and used silk bags to send seeds to each other. They also exchanged lists of plants that each desired from the other’s geographical area. Logan enthusiastically sent Bartram plants from Carolina which “may be New to you” and “be an adision [addition] to yr Collection.” In return, she asked him to send bulbs and double-flowering plants that her London contacts had failed to procure or took too long to send. She shipped and received tubs of cuttings and roots on ships traveling between Charleston and Philadelphia, where Bartram lived. Bartram praised her in a letter to a London friend and wrote, “Mrs. Logan’s garden is her delight and she has a fine one.”
With the popularity of urban gardening on the rise Martha realized that many people needed help and guidance with their horticultural endeavors. In 1752 her first advice column titled “Gardners Kalander [sic], done by a Lady of this Province, and esteemed a very good one.” appeared in the South Carolina Almanack. Her first publication was so successful she continued to publish her calendar, updating and enlarging it each year.
Martha continued her business, what we nowadays would call a garden center, for the rest of her life. She even wrote a treatise on gardening at the age of seventy. In 1809 the early Charleston historian David Ramsay described her as “a great florist, and uncommonly fond of a garden,” and claimed she “reduced the knowledge she had acquired by long experience, and observation, to a regular system which . . . to this day regulates the practice of gardens in and around Charleston.”
Martha died in Charleston on June 28, 1779, and was buried in St. Philip’s Churchyard. She is considered one of the founding gardeners of South Carolina.
Read back through the pages of her 1757 Gardener’s Kalendar shared above. In your opinion, how much of it is still applicable? One bit of her advice that is always appreciated: “What was neglected last month may be successfully done in this.”
Agaves, those bat pollinated, succulent, strong leaved, slow-growing, xeric- and heat-loving Western Hemisphere plants, are literally the heart of the tequila and mezcal industry. As fascinating as the bat pollinator aspect is we’re going to focus on the how agaves are used to produce liquor.
Let’s start with the differences between mezcal and tequila. These include region of origin, plants used and production methods.
We’ll start with regions and plants.
The name “mezcal” comes from the Nahuatl word “mexcalli” which means “oven-cooked agave.” Although mezcal can be made from any agave species, production focuses on roughly 30 agave species, varieties, and sub-varieties. While mezcal’s history centers around the region of Oaxaca, Mexico, it’s now produced throughout the country. As mezcal can be made with any agave species the name has become a general one for most agave liquors in Mexico. It often implies an artisanal aspect to the drink whether it’s deserved or not. In 1994 the name mezcal was recognized as an Appellation of Origin (AO, DO). There is also a Geographical Indication (GI), originally limited to the states of Durango, Guerrero, Oaxaca, Puebla, San Luis Potosí, and Zacatecas. Similar products are made in Guanajuato, Jalisco, Michoacán, and Tamaulipas but these have not been included in the mezcal DO.
While both mezcal and tequila are made with agave, only one species is legally allowed for tequila production, the blue agave. Tequila production is located primarily in the area surrounding the city of Tequila, which is northwest of Guadalajara, and in the Jaliscan Highlands of the central western Mexican state of Jalisco. Tequila is also recognized as an Appellation of Origin (AO, DO). It can be produced only in the state of Jalisco and limited municipalities in the states of Guanajuato, Michoacan, Nayarit, and Tamaulipas.
Now let’s take a look at production methods. Harvesting agave for mezcal and tequila production starts out the same.
Seven to ten years after planting the plants are mature enough to harvest. They are manually harvest by “jimadors,” highly skilled people trained in the art of agave harvesting. It’s hard, labor-intensive work.
Using machetes or a “coa de jima”, a specialized agave cutter, the jimadors cut off the long agave leaves to get to the core of the plant called the piña.
The piñas are collected and taken for roasting. Roasting method is where mezcal and tequila production methods differ.
Pit roasting the piñas is traditional for mezcal production.
Cooking piñas for tequila is a much simpler process. They’re actually baked.
After roasting or baking the piñas receive the same treatment regardless of the final product, mezcal or tequila. They’re crushed or shredded to extract the juice which is then fermented for a period of time. The fermented product is then distilled twice and then usually aged. Some mezcal is not and is sold a “joven” or young. Aging can last from one month to as long as 12 years. After aging the liquor is usually stored in stainless steel tanks to reduce evaporation.
And yes, I hear you there in the back row, “But what about the worm?!”
The worms are only found in mezcal, never tequila, and not all bottles have one. Bottles of mezcal which have a worm (called gusano) are labeled “con gusano,” meaning “with worm.” The worm is actually a caterpillar of the moth Comadia redtenbacheri which can infest agaves. If a “worm” is to be included it’s added at bottling. Doesn’t that sound like a fun job.
There are various stories as to why a “worm” would be added. Some claim it’s a marketing ploy. Others say it’s there to prove that the mezcal is fit to drink…OK. Others believe that it brings good fortune and strength to the lucky person who finds it in their glass. If you’re fortunate to find one in your glass be sure to swallow it whole, don’t chew it. And some claim it’s there to impart flavor. Yummy.
And lastly, I’m sure some of you have seen “worm suckers” at shopping emporiums which carry a certain type of tourist stuff with a (supposedly) south-of-the-border flavor. Yes, I’m talking about the famous, or infamous, tequila-flavored worm sucker.
Don’t fall for this! As educated and discerning Garden Professors blog post readers you now know that #1: Tequila never contains a worm and #2: the “worm” is actually a caterpillar and the above critters encased in sugar are actually the larvae of the darkling beetle, commonly known as mealworms. Be a savvy consumer, hold out for the real thing.
In this edition of P&P we’ll be exploring the life of the “Father of Texas Botany”, Ferdinand Jacob Lindheimer.
On May 21, 1801, Herr and Frau Lindheimer of Frankfurt, Germany welcomed little blue-eyed Ferdinand to the family. After schooling at the Frankfurt Gymnasium and a Berlin prep school, Ferdinand spent the next 30 years studying at universities in Bonn, Jena, and Wiesbaden.
In 1833, for political reasons, Ferdinand decided it was best for him to leave Germany. By 1834 he was in Belleville, Illinois. Not finding Belleville to his liking, he caught a boat down the Mississippi to New Orleans, LA.
After some time he and a few companions tried to go to Texas. But the Texas revolution was heating up and they wound up being sidetracked to Mexico, eventually winding up in Veracruz. There he worked on a banana plantation for over a year all the while becoming infatuated with the regional flora and fauna. But he still wanted to go to Texas and left Mexico just as the hostilities in Texas were escalating. In an effort to reach Texas he tried joining the Texas revolutionaries but alas, it was not to be. He wound up ship-wrecked on the Alabama coast near Mobile.
So close and yet, so far.
Being the headstrong German that he was, he tried once again to reach Texas and finally arrived at San Jacinto (pronounced Hah-seen-toe) the day AFTER the final battle of the Texas Revolution on April 22, 1836. Despite missing most of the action he joined the army of the new Republic of Texas and served 19 months. During this time and after his discharge in 1837 he spent any free time exploring the flora of his new home.
An old friend from Frankfurt, Georg Engelmann, invited Lindheimer to spend the winters of 1839–40 and 1842–43 with him in St. Louis. (Englemann had immigrated to America in 1832 and dabbled in botany as a hobby.) Lindheimer brought preserved Texas plant samples with him on these visits. Via their friendship Lindheimer’s collections came to the attention of professor Asa Gray, founder of the Gray Herbarium at Harvard University and author of the original Gray’s Manual of the Botany of the Northern United States. The plants from the Republic of Texas generated quite a bit of excitement in old Harvard Yard.
In 1843 arrangements were made for Lindheimer to collect plant specimens for Engelmann and Gray. He spent the next nine years collecting from a variety of Texas areas, including Chocolate Bayou, Cat Springs, Matagorda Bay, Indianola, and Comanche Springs.
Over the next thirteen years, Lindheimer collected over fifteen hundred species in central and south Texas for Engelmann, Gray and others who were building collections. The samples had to be pressed and dried with multiple changes of blotting paper, then mounted and shipped. The collection date, location and habitat were logged for each specimen. Lindheimer earned $8 for each hundred specimens submitted. Occasionally he sent seeds or cuttings so Gray could try propagating the plants at Harvard. Using his own knowledge and whatever reference materials he could find, Lindheimer could place most plants in the appropriate family and make a good guess at the genus. But official classification was left to the scholars who received his samples.
In 1844 Lindheimer was granted land on the Comal River in the new community of New Braunfels, TX. and remained in the area for the rest of his life. He kept collecting, started a botanical garden, and in 1852 was elected the editor for the town newspaper, Neu Braunfelser Zeitung, one of the earliest newspapers in Texas. He was associated with the paper for the next 20 years, eventually becoming the publisher. Legend is that it never missed an issue, not even during the Civil War when newsprint was not to be had. Lindheimer printed on butcher paper, wrapping paper, and leftover paper from his plant-preserving supplies.
In 1872 Lindheimer ended his association with the paper to devote more time to his work as a naturalist. He is credited with discovering several hundred plant species and his name is used to designate forty eight species and subspecies of plants and one species of snake. ( I really wanted to put a picture of the snake here but was advised that some people don’t like reptiles as much as I do. Sigh)
In 1879 his essays and memoirs were published under the title Aufsätze und Abhandlungen.
Lindheimer died on December 2, 1879, and was buried in New Braunfels. His grave is registered on The Historical Marker Database and his house on Comal Street in New Braunfels, is a museum, a Registered Texas Historic Landmark and is on the National Register of Historic Places.
Lindheimer’s plant collections can be found in at least twenty institutions, including the Missouri Botanical Gardens, the British Museum, the Durand Herbarium and Museum of Natural History in Paris, the Harvard University Herbaria, the Smithsonian Institution, and the Komarov Botanic Institute in St. Petersburg
Spring bulb planting time is on across North America! Many types of bulbs do well in desert and xeric gardens: hyacinths, ranunculus, iris, narcissus, crocus, alliums can all be happy. One bulb that’s often left off the list are tulips. Why is that?
The tall flashy hybrid or Darwinian tulips that fill the catalog photos are usually considered an annual in most desert gardens. They require more chilling than the our desert winters can usually provide and can be a little fussy about soil and water. But tulips can be very happy in xeriscapes. In fact they can get so happy they’ll set seed and naturalize in the right conditions. And which tulips are those you ask? (Yes you did, I heard you.) They’re species tulips and are non-hybridized. They’re more of “wild” type of plant. What’s so special about them? They’re tough, amazingly tough.
Tulips are originally from mountainous areas of the Mediterranean, Middle East and Asia. Some are also native to Southern Europe, North Africa, and several Mediterranean islands. They’re frequently found clinging to barren mountain ledges, rocky areas exposed to wind and cold, and drought ridden slopes.
Species tulips are shorter and smaller than hybrids but what they lack in stature they more than make up for in resilience and showy display. They’re an early bloomer in the desert southwest which is wonderful for the pollinators that are often active on warm winter and early spring days.
Their foliage is usually more varied than hybrids; some have broad, curled edged leaves, some are tall and narrow. The color varies too, from a bluish tint to shades of green. Some varieties even have multiple blooms per stem.
Many species are attractive whether the blooms are closed or opened. They often have very different coloration inside and out.
Some have contrasting pollen color which adds great visual interest.
Species tulips are usually perennial in warm winter climates. They increase via bulb offsets while many will set seed. They aren’t fussy about soil as long as it’s well drained. But like all plants they do require water during bloom and while the leaves are green but still, not as much as other bulbs. They’re perfect for xeriscaped or low water landscapes since they require less overall water than other bulbs. Plus, they prefer to be dry during their dormant season, which is summer to fall.
These tough little beauties can occasionally be found in garden centers but for the best selection shop online, search for “species tulips.” Do some homework first, and become familiar with the the available varieties.
Plant these tulips from fall to early winter. Provide full sun and good drainage, rocky or lean sandy soils are ideal and most closely approximate their native conditions.
Don’t overplant with species that require a lot of summer water. Mix these bulbs with other plants that prefer hot dry conditions. Tuck them into those corners that get spring – early summer sunshine, spots that don’t get much summer water, or put in containers that you can enjoy and then ignore during the summer. Pot them in cactus mix combined with a small amount of regular potting soil and top with an organic mulch. Remember, drainage is a must and overly rich or high organic matter conditions aren’t to their liking.
If you live in a dry or desert region and have never tried species tulips, why not give them chance. You might just discover a new favorite.
In this episode of P&P we’ll take a look at the life and career of the aptly named Nehemiah Grew, the “Father of Plant Anatomy”.
Nehemiah Grew was born on September 26, 1641 in Warwickshire, UK. He graduated from Pembroke College, Cambridge in 1661 and ten years later was awarded a MD degree from Leiden University in the Netherlands. His interest in plant anatomy began to bud in 1664. In 1670 his essay, The Anatomy of Vegetables begun, was shared with the Royal Society and resulted in his election to the membership. By 1672 he’d put down roots in London and soon had a large medical practise. Even though he was busy with his career as a physician he still found time over the next decade to write a couple of books, a few short publications on botany and several papers one of which has the intriguing title, “Comparative Anatomy of Stomachs and Guts” and was included in his “Catalog and Description of Rarities” publication, ca. 1681.
In 1682 his tome, “The Anatomy of Plants begun as a philosophical history of plants“, was published. It’s largely a collection of previous publications and is divided into four books, Anatomy of Vegetables begun, Anatomy of Roots, Anatomy of Trunks and Anatomy of Leaves, Flowers, Fruits and Seeds. It has eight-two illustrated plates and an appendix of seven papers which deal mainly with chemistry. The book is noted for its descriptions of plant structure, a fairly unknown thing at that time. Grew described nearly all the key differences of stem and root morphology and showed that the flowers of the Asteraceae family are composed of multiple tiny tube flowers (florets). The most amazing of his discoveries was that plants reproduce sexually and that flowers are sexual organs. He distinguished and assigned “roles” to the calyx, corolla, pistils, and stamens.
Grew is remembered for being one of the first to establish the observational basis for botany and is noted for his detailed descriptions of plant anatomy. He utilized the microscope (invented in 1590) for his plant anatomy explorations and was a pioneer in this field. His book “Anatomy of Plants…” contains the first known microscopic description of pollen. He discovered that although all pollen is roughly globular, its size and shape varies between species; however pollen grains within a species are all alike. This discovery is central to the field of Palynology, “the study of dust”, which is the study of pollen and particulate samples both organic and inorganic.
Grew’s research technique was based on his adherence to observations and avoidance of explanations invoking occult, hidden or vital forces, or signatures. He also avoided the direct hand, intervention, or guidance by God or other spiritual beings. He embraced a mechanical and natural philosophy which permitted him to think much like an engineer or how to make the most out of the materials at hand. This engineering concept was theologically acceptable during his time. Why is this significant? This ‘Mechanical way’ and Grew’s own theory of “Organ-ism”, that plants possess organs and structure, was outside the bounds of most of the thinking of his time. Before the 17th century it wasn’t certain that plants had much internal structure and that distinct parts or organs played distinct roles. It was often thought that the external shape of a plant was a clue or signature to its use, re: Doctrine of Signatures. But whether there was anything resembling organs in plants was contested. Grew’s detailed illustrations help dispel that belief and bring the study of plants into the scientific world.
In honor of Nehemiah’s work and role as a founder of modern botany, Carl Linnaeus named the genus Grewia after Nehemiah Grew. Grewia is in the Malvaceae family and can be found in several areas including Africa, India, and Australia where it has naturalized and become invasive. Its fruit comes in both sweet and tart varieties and is used for food and beverages. Other parts of the plant have been used medicinally.
If you listen closely you can hear the beasties in your garden just a-singin’ that tune. And who can blame them? Warm temperatures and lush green gardens? They enjoy them as much as we do. But sometimes they can be enjoying our landscape a little too much. So now what do you do? Visit the garden chemicals section at your local big box store? Reach for your favorite “natural” or DIY concoction? Ask your neighbor?
What is the best way to deal with the problem? Three letters answer that question. IPM.
What is IPM? Integrated Pest Management (IPM) is the management approach you should use to solve pest problems. It can manage all sorts of pests with minimal risks to people, pets, and the environment. IPM’s emphasis is on the management of problems rather than eradication. It focuses on long-term prevention of pests or their damage by managing the ecosystem. IPM is a five step process: 1) correct pest ID, 2) monitoring and assessing pest numbers and damage, 3) pest ID guidelines for when management action is needed, 4) preventing pest problems, and 5) determining correct control measures. Let’s take a look at each one.
#1. Pest ID
Correct ID of the problem-causing critter is the most important aspect of IPM. If you don’t know what you’re dealing with, how can you devise an effective control strategy, if indeed one is needed? So what is a pest? Pests are organisms which damage or interfere with desirable plants or damage structures. Pests also include organisms that can impact human or animal health. Pests may transmit disease or may be just a nuisance. A pest can be a plant (weed), vertebrate (bird, rodent, or other mammal), invertebrate (insect, tick, mite, or snail), nematode, or a pathogen (bacteria, virus, or fungus). A correct ID of the pest must be made before deciding if control is needed. If you aren’t sure you’ve ID’ed it correctly or want a second opinion, take a sample to your local Cooperative Extension Service Office. Note: Be careful about asking for pest ID at a garden center. Employees may not be knowledgable, or your request might be seen as a sales opportunity. And think twice before taking the advice of someone who might try to sell you something.
#2. Monitoring and Assessing Pest Numbers and Damage.
You’ve probably heard the saying, “The best fertilizer is the gardener’s shadow.” I’ll make the claim that “The best pest control method is the gardener’s shadow”. For effective monitoring, you need to be out in your garden on a regular basis. Looking, listening, even handling plants, checking under leaves, etc., so you come to know it as well as you know the layout of your living room. You should have a good knowledge of your landscape’s microclimates, soil conditions, the path of sunlight through the year, how seasonal changes affect your garden and a general grasp of the climate. Once you know what’s “normal” for your landscape it’ll be easier to spot any abnormalities.
For example: Your favorite rose always has a few aphids but the population seems to have exploded in the last few days. And why do some of them have wings? Is that slug damage on that hosta? You don’t recall seeing those rusty patches on that hollyhock before. What are the odd black spots on this pomegranate? Hmm…. Always ask yourself how extensive the damage is. Does it threaten the health or life of the plant, or is it largely cosmetic? Do you need more expert advice? Continual monitoring and assessing of what’s going on in your landscape can help you decide if the damage is important or extensive enough to require pest management.
#3. Pest ID Guidelines to Determine if Management Action is Needed
Using the biological information of the correctly ID’ed pest will help you decide if you need to deal with the situation. Here are some things to consider when deciding if management is needed. Is the pest short-lived and is only in the garden for a few weeks or even days? Does it only make a seasonal appearance? Is the damage of long duration/the entire growing season, only for a short time and the plant recovers, or is the damage mostly cosmetic? Is it a pathogen? Does it carry a pathogen? Can it cause irreparable harm? Is it an invasive species that can or should be controlled? Does it threaten a needed food garden? Is the damage really that bad?
Knowing the life cycle and feeding habits of your ID’ed pest will help you determine if control is necessary. Use their biology against them. Do your homework.
So you have a plant issue and you’ve correctly ID’ed the pest and the problem. It needs to be dealt with. What’s your next step?
#4. Preventing Pest Problems
“An ounce of prevention is worth a pound of cure.” applies to landscapes as well our personal health. Ask yourself if the garden problems you’re facing, most of which will be cultural, can be handled with preventative measures. Are you over or under watering? This stresses plants which can attract pests. Is the plant that is under attack in a less than optimal location? Can you move it or change its environment to help it become healthier? Or should you just remove it and let the Japanese beetles eat somewhere else? Are you practicing good garden sanitation, are you cleaning up those camellia leaves and blossoms after they fall, are you turning that compost pile and ensuring it heats properly in order to kill pathogens or pests? If your growing zone allows it, perhaps you could plant your summer squash or tomatoes later and avoid that first rush of squash bugs or hornworms? (Keep in mind that hornworms are larval sphinx moths which are an important bat food source.) Have you tried using row cover to exclude problem insects or other pests? Be sure you’re not causing the problem. A little garden evaluation can do a world of good. The decision you make here will determine the road you take in dealing with your pest issue. You’ve identified the pest, done some sleuthing and have an idea of the scope of the problem in your landscape. Now you have to decide what is the acceptable level of this pest to have in your yard. And as always, “Right Plant, Right Place”.
#5 Determining Correct Control Measures
After analyzing the situation you’ve determined you need to engage in some form of pest control. But what should you use? Always strive to use the most benign yet specific form of control you can. Use the method which best targets the problem. A combination of control methods usually give the best results. These include biological, cultural, mechanical/physical, and chemical/bio-rational measures. Start at the base of the pyramid (see above image) and work your way upward. Always allow sufficient time for methods to yield results. Pest problems rarely happen overnight. Early intervention is the key to control. See #2 above.
If you are forced to use pesticides always use them as a last resort, not as a first option. Avoid using systemics on plants which are used by pollinators or other beneficial insects. Avoid using broad spectrum pesticides and keep in mind that many pesticides which are approved for “organic” use are more toxic and less selective than “synthetics”. An exception to the “avoid broad spectrum pesticides”: there can be times when a broad spectrum herbicide, such as glyphosate, is needed to kill both monocots and dicots. Use with care and follow label directions.
To review: Please follow the IPM Five Step Process: 1. Always ID the pest correctly. 2. Get to know your own landscape. Monitor and assess pest numbers and damage to determine if intervention is truly needed. It often isn’t. 3. Use the pest’s life cycle and feeding habits to decide if or when management action is needed. Use their biology against them. 4. Prevent pest problems in the first place. Be sure you’re not part of the issue. “Right Plant, Right Place.” 5. If necessary, determine the correct control measures and always choose the most benign method which will do the job. Keep in mind products labeled “natural” may not be the best or safest option. Avoid DIY concoctions. They’re usually ineffective, harmful and an illegal use of ingredients.
This Independence Day weekend blog post is about John Bartram, the American gardener and botanist who revolutionized gardening.
John Bartram was born a third generation Quaker on a farm in Darby, Pennsylvania on March 23, 1699. While he had no formal education beyond the local school, he was interested in medicine and medicinal plants. Stymied by the lack of local medical schools, his interests gradually turned to botany and he became one of the first practicing Linnaean botanists in North America.
In 1728, Bartram purchased 102 acres of farmland and 10.5 acres of marshland along the Tidal Schuylkill River from Swedish settlers. After establishing his farm and building his house, he laid out his first garden across six or seven acres on a terraced slope leading from the house to the river. His farm and collections expanded over time and have since been recognized as the first botanical garden in the USA.
Bartram made many plant collecting trips, the first documented one to the “Jerseys and Schuykill mountains” in 1735. His many travels by boat, horseback, and on foot, took him to New England, south to Florida, and west to Lake Ontario. While traveling he collected seeds and plant specimens, assessing how best to cultivate them back home in Philadelphia and how to share his discoveries. Other Colonial-era plant nerds supported his efforts and shared unique plants from their own collections.
Through his seed and plant sharing network Bartram became associated with Peter Collinson, an English merchant, fellow Quaker, and Royal Society member. Collinson, also a plant lover, shared seeds and plants with fellow gardeners, many well placed in British society.
Encouraged by Collinson, who eventually became his chief agent in London, Bartram established an international trade in North American seeds and plants packed carefully in wooden “Bartram’s Boxes” which were shipped in the fall. For five guineas, clients received a container of generally 100 or more varieties of seeds, as well as occasional dried plant specimens and other natural curiosities like bird nests and rocks. Despite the hazards of a sea voyage, many arrived safely to their destinations, where they established a new palette of American colors and shapes within European gardens and landscape.
Bartram’s nursery business continued to grow and thrive with sons William and John Jr. joining the business. Bartram and William continued their plant collecting journeys around North America. In October of 1765, after becoming lost on one of their trips near the Altamaha River in southeast Georgia, they came across the “rare and elegant flowering shrub” Franklinia alatamaha. Of course they collected specimens, which is fortunate for us as the plant appears to be extinct in its original native range. It survives today in cultivation because of the Bartrams’ efforts (you can read this interesting article for more on the topic).
After lobbying by Collinson and Benjamin Franklin in 1765, King George III granted Bartram a pension of £50 per year as the King’s Botanist for North America, a post he held until his death. In this position, Bartram shipped his seeds and plants to the royal collection at Kew Gardens. Bartram also contributed seeds to the Oxford and Edinburgh botanic gardens. In 1769 he was elected a foreign member of the Royal Swedish Academy of Sciences in Stockholm.
Bartram, the “Father of American Botany,” died in 1777. His sons, William and John Jr,. continued the family business of North American plants after the American Revolution. A total of three generations of the Bartram family continued to operate and expand the botanic garden. It was considered the major botanic garden in Philadelphia until the last Bartram heirs sold out in 1850. America’s oldest surviving botanic garden was dedicated as a 50 acre National Historic Landmark in 1963. Be sure to visit when you’re in the area.
Interested in learning more about John Bartram and other revolutionary gardeners of his time? There’s an excellent book by Andrea Wulf, “The Brother Gardeners“. I highly recommend it.
Happy Independence Day and here’s to garden revolutions everywhere!